the latest emotional response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician nick nicely. nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of robert wyatt and robyn hitchcock supposedly inspired by his work, wrottersley road provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and eastern psychedelic tones. remixes are provided by invisible hands, who provide a minimal 80s inspired electro-pop version, which comes saturated in radiophonic textures, and the oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.

dank has been at the forefront of the heavy bass culture movement since its early inception years ago. this new york city native considered to be a pioneer of the underground sound currently coming out of the city that never sleeps, represents heavy bass culture from the school of the hard knox and is knee deep in it. it has been said he eats, sleeps, and breathes heavy bass culture. in addition, he is no stranger to demolishing dance floors throughout the united states and abroad. fused with sexy bass and super funk, dank has played along side some of the hottest talent on the planet.

last part of the cliff unknown series! again a wonderfull timeless track from very well known artists ... maybe you realise them :) its an older track from this loved duo and they contribute it for this project - thanks one more time!

amici ep heisst das erste kind von frieda. und genau das, was der name verspricht, findet sich auf dieser ep. in zusammenarbeit mit freunden wie alexi delano und bardo sind zwei hypnotisch- melancholische tracks entstanden, die über die ohren und das herz zu den nimmersatten tanzbeinen führen. denn genau dafür steht frieda ein, freunde, die gemeinsam eine gute zeit verbringen, sei es im studio oder auf der tanzfläche oder zur schlemmerei zwischendurch. aus diesem hintergrund kommen auch die beiden remixe von sebo & madmotormiquel, welche sich musikalisch perfekt in tante friedas musikalische welt einfügen. erfüllte gesichter auf der tanzfläche sieht und erlebt man auch bei san marcos sologang und so verspricht die komplette ep beste unterhaltung für die frühen morgenstunden oder die noch spannenderen späteren stunden.

souvenir music is proud to introduce you to its in the city 3 compilation which will be released in conjunction with a worldwide tour, hitting all major cities of europe from april to the end of summer 2013.

kool vibes groovin ep oozes classic french house vibes form the get-go thanks to the opener no more wastin. stocato rhode stabs are met with quick-jangled percussion, cut vocals (like the french only know how) and thumping beats. underground settles down a little, maintaining a sultry groove with a chord driven hustle, while groovin is upbeat french house at its best. feel it features more juicy and looped up sample action with call and response vocals thrown in for added effect. a must have for the french house connoisseur.

so, here we are at loch lomonds fourth album, dresses, and its a spectacular, moving piece of work. employing piano, cello, flugelhorn, vibraphone, dulcimer, banjo, belle plates and, perhaps most affectingly of all, some dazzling choral arrangements, dresses can be remarkably understated for an album flushed with so many orchestral characteristics

geno presents its first record from label head, aaron hedges. aaron has been very busy djing in berlins best venues: kater holzig, prince charles, arena/badeschiff, and his bi-monthly residency at klangsuchts gegen kultur party. when aaron is not playing, he is been locked away in his studio working on a full length album and numerous forth coming vinyl/club oriented eps.
the title track, blasta, is a sleek and modern tech house stormer. blasta contains well blended and diverse influences, such as african jazz, jamaican dub, and german and french house. it is this unique and normally disparate genres of music and production styles that makes blasta a unique gem. the b side, collapsed caldera, is a break beat oriented, organic house song. guitar, harp, and vocals gently guide over complex yet natural percussive rhythms.

the latest offering from san franciscos icee hot label finds the young imprint officially welcoming another artist to its gradually expanding roster. that said, contakt isnt exactly a stranger. the michigan-reared, new york-based producer is one of the founders and resident djs at brooklyns turrbotax® party, which has long been a sort of sister party to icee hot. contakt has previously released music for respected outposts like local action, grizzly, and dutty artz, but nobody else and tessera 04 find him taking an important step forward as an artist, delivering tunes that are richer and more really realized than anything from his past. particularly on nobody else, contakts flair for big-room melody remains intact, but he takes notes from classic kms, filling out the songs cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. tessera 04 goes deeper, channeling maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. on the flipside, icee hot resident ghosts on tape continues his recent hot streak, infusing nobody else with punchy drumwork and a potent rave sensibility. detroit legend robert hood then rounds out the release, transforming tessera 04 into a pulsing and purring slice of heady analog techno.

brand new kevin mcphee 12 inch on naked lunch, pressed on white marbled vinyl.

brighton s black key records launches its vinyl only arm, in the form of black key limited, with a superb double a-side from german producer, ugly drums, featuring 2 excellent tracks of deep, sophisticated house music.since its launch in 2011, black key records has firmly cemented itself as a label consistently outputting quality house music from an array of highly respected artists. in just 18 months the imprint has released music from the likes of blm, flori, milton jackson & giovanni damico, with their releases picking up support from a number of top names on the scene. resident advisor recently stated: brighton s black key records may be small… but they re consistently on-point with their take on deep house. this is no small feat considering the volume of labels offering their interpretation of the in-vogue sound to an increasingly saturated market

brand new, london-based imprint, othertones, launches with a stellar three track release from dan farserelli and romanian artist mp, entitled fat cap and backed with a baby ford remix. the labels aim is pretty simple, tipping its focus towards releasing quality underground electronic music across the board from associates in the industry, while also welcoming established artists respected by the label-heads. here its inaugural release embraces a low-slung, stripped-back house aesthetic, with raw, gritty sounds and a profound depth instilled in the productions. baby ford adds a further weight to package with a dubbed-out ethereal interpretation of the title track. this is intelligent listening and a great indication whats to come, with this brand new imprint packing a punch from the very off. dj support: dice / tini / spencer parker / mr g / raresh / d julz / brothers vibe and more

now in its third instalment, eyepatch delves into the vaults to deliver another ram packed exclusive vinyl filled with top quality deep house grooves. four top class tunes with tracks and remixes from some of the best artists eyepatch has to offer. a must have for any vinyl junkie and your decks are gonna love it!

culprit makes a fourth stop on its european talent-scouting trip, inviting the london- based swedish producer adeline to join the labels global motley crew. adelines confident use of her own voice as a major part of her music is a bold but justified choice. combining it with truly impressive sound design and strong musical ideas, with a touch of the unexpected, adds up to instantly memorably dance music. the three originals on her culprit debut speak to all these strengths.

a club-focussed amalgamation of swung techno, garage and more, with nods to the uks oft-forgotten bassline house scene. its the strongest statement yet from one of dance musics best prospects. first pressing comes on white marbled vinyl 12, with individually spray-painted white sleeves.

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

vinyl only. get slow is back with its 3rd release. christian malloni delivers his best work to date for his get slow debut, outstanding sampling techniques building his fresh and cutting edge vision of contemporary underground club music. played and supported by : damian lazarus, clive henry, tricksi, brett griffin, feygin, chris duckenfield, silicone soul, zev, daniel solar, crispin dior, cosmonauts and more.

what did you do the year you turned 21? hip-hop prodigy fashawn earned a spot on the cover of xxl magazine, toured the world and built a rep as one of raps new rising stars. fashawns debut album, *boys meets world*, was heralded by critics and fans alike as one of the best albums of 2009 for its gritty, streetwise and intelligent rhymes. some even compared his introductory opus to nas brilliant *illmatic*. it was enough for xxl to name fashawn to its list of hip-hops best freshman.
fast forward to 2012 and over 200 shows and 2 mixtapes later fashawn is back in full effect with his latest release *champagne and styrofoamcups*. featuring taylor gangs wiz khalifa, mfn mr. exquire, kobe, k young, chevy woods and more champagne and styrofoam cups is considered a top release in 2012. working with boy meets world producer exile, fashawn also called upon hip hops next generation of producers in dj dahi (kendrick lamar, dom kennedy), rahki (eminem, 50 cent) and classic west coast producers jake one and hecktik.

its been almost a year since the release of iron curtis magical debut soft wide waist band, and now a luscious remix record comes galopping around the corner, riding one of the most beautiful tracks on the album.

another day, another motherfuckin dab-j! well, their release roster might not be that prolific, but well not let reason interfere with rhyme. and you guessed it: its another shadowy figure lifted from obscurity like a golden pearl plucked from the deepest depths of the ocean. could it be the work of an infamous producer, or the product of a hobo wizard whos borrowed a few machines from a home-owning friend? only thedabj illuminati know this. and the fact that they also have a sense of humor means that we can keep getting away with writing these increasingly ridiculous press releases. it also gives us reason to assume that the entire dabj back catalogue is the work of an 85 year old woman. o.d.d: ol dirty debra working that danceflo heat. but more than likely its not on a geriatric junt tip.

everything comes in its own time: a wordly wisdom that marcus henriksson and sebastian mullaert aka minilogue take for granted. since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide.

marbert rocel and mathias kaden with a nice appetizer for their upcoming album. including a mix by wareika.

following up on their massive off debut from last summer, leftwing & kody deliver another heavy dose of 90ies inspired garage & bass-house goodness. you were is a clean and stripped back peaktime tool, relying on its catchy and energetic synth/bass-hookline.

darknet returns for its 7th 12inch release, and just like the former 6, its guaranteed to set your local dancefloor on steamy hot fire. gabeen and yan cook are the first ones to line up, and the original dark shade has just that perfect vibe for creating exactly what its title says.

bavaria based label treibjagd-records strikes again with its fourth installment featuring patrick kunkel (cocoon records) & sascha barth. the door is a smooth tech house track, including an earsoothing female vocal sample. this gets backed by remixes from label owner ill-boy phil

ltd to 170gr vinyl (500 copies), traxx underground continues its fine form in 2013 with the release of a debut ep from hotly-tipped canadian mike sharon

ark with more raw house !!! weve been waiting a release on versatile from our long time friend ark. it now done with this * street house ep*, an ode to b-boy house. emba anthem, with its samples from a cult west coast 90s hip hop band, and the bewitching nuark, which mixes deepness, sensuality and odd funky groove, but inna ark unique fashion. big shout outs paris kids!

new mysterious no name label dropping 4 amazing house tracks, from well known artists showing their skills. the label is focussing on downtempo, warm deep, soulful, and sexy house music, handstamped and numbered. make sure you get your hands on this before its gone.

wbeezas first release since 2012s peckham fly/billy green is ded single. if you believe is a simple stone cold knockout hook over deliciously arranged elements. wacky racers is a peak time banger - maybe his hardest track so far. wise root is a slow burner, only revealing its full force after nearly 5 minutes of keeping the dance floor locked in. mo bella is a rolling, swinging live jam of irrepressible groove. four unmistakable wbeeza joints.

remastered reissue featuring three fantastic hard-to-find classic rump shakers from hamilton bohannon. bohannon was one of the key forces in disco in the seventies and this is him at his best - his instantly recognisable sound is pure uncut boogie mixing riffing guitars, bad-ass funky bass and pounding drum tracks. first up is the super-rare long 12 inch version of me & the gang a superbly funky track popular with everyone from tony humphries to carl craig with its great chunky beats & a killer piano groove later sampled by paul johnson for his hit get get down, followed by the groove i feel - a monstrously good floor-filling gem unearthed from his 76 album dance your ass off. on the flip you get the awesome full 12:45 minute version of maybe you can dance another slamming disco-funk stomper only ever available as an elusive 1977 12 inch promo. quality stuff!

a yawning desert covers and oppresses a distant daemon-sphere pregnant with the stuff of a thousand earths. clouds of the same hue and attitude as the infinite sands gradually dominate the sky, possessed of a malign intelligence. a trans-generational caravan cuts an unforgiving line through the dunes in a fruitless mission to close its great mad circle, forever missing by just miles. it is a roving, innumerable harem in liege to an unsexed tyrant who sings them this song, reproduced here by resonant hole emissaries jeanne vomit-terror and ed sunspot, as the caravan commits the abominable act of transgressing the horizon into the infant sky-desert “above.” carl calm’s “gulf of night” mix is a monster, as is the great mike simonetti’s perverse interpretation!

teng launched in 2012 with akrasounds vol.1 & 2 by label head nick woolfson under his akra guise. picking up support along the way from the likes of chicago damn, delano smith, will saul, 6th borough project and dj deep. this stands testament to the high quality and attention to detail instilled in the label from its initial movement. here the label steams in with more solid material to put it on the map with a phenomenal package from clone / rush hour artist neville watson, whos trippy, analogue, acidic house cuts have earned him a highly praised reputation within the underground.

the first in midnight shifts vinyl-only remix series sees festival headliners deetron and secret cinema provide their dancefloor interpretation to the labels debut release. basic soul units cool a2 black ice, is re-edited by none other than deetron, the swiss native with a prolific and starry discography to his name. he turns black ice on its head, leading with its running bassline first while letting its crystal notes be polished to a bright, blinding shine.
already much supported by the likes of shackleton, josh wink, bleak and dixon, eddie niguels absolute, has been circling the circuit to great effect. here, netherlands secret cinema aka jeroen verheij pumps the mental factor up sideways with an infectious, relentless groove that holds back just enough to keep you wanting more. coming soon to a dancefloor near you: rmx001.
already supported by agoria, dubfire, ame, claude young, vince watson, chymera, andy baumecker, tensnake ...

first pressing in dark red vinyl! in remarkably short time, van bonn has developed a well-deserved reputation as a forward-thinking dub music producer. he is tying up electronic listening music with dance music structures for the german label telrae and trapez since 2011, but his newest invention van bonn01 is another step forward. van bonn records now for the first time provides him with a platform, that is his own. it is a sound laboratory pushing his ideas as well as giving him the possibility to feature like minded people. the first edition on vinyl, comes in dark red with a nice artwork. gradient (cph dub) shows a new side with van bonn, expressing a certain form of industrial & romantic privacy in a very radical way. his epic 12 minute track explores the time and space continuum in ways of symmetry. this is a perfect extension of what we know from various dub techno productions of the past. rich filtered delays balanced with a monotony of a mighty & distant beat, makes it an hypnotic piece of music. gradient in its original version is the more hardish and forceful..companion of the a-side, being more raw an direct. van bonn uses here a lot of fx sounds to build a bubble which perfectly embeds the stomping machine liked beat. the >do not resist the beat< owner milton bradley and artist on prologue (and more) has delivered a remix of >gradient< in his genuine style avoiding commercialism and creating his own atmospheric, claustrophobic, cinematic style of techno. listen here to his remix for van bonn.

2012 terry hurst and daniel hevingham alias h2 released her massive ep. after several releases on get physical, kindisch and a fabulous remix of nick curlys album >between the lines< on defected, its time to bring you the next big ep of the nice manchester guys. the >chicago social club< shows the musical talent of the guys, inspired by the early jazz and blues legends of chicago. the second track >chapter one< is a deep melodic dreamy tune with a wonderful vocal and bassline. last but not least on the long flip comes >air< perfect for the summer chill out time and for relaxing... all in one cic records offers you with their third release an exciting ep for all ambitious music lovers

agabundos, the dj, club and event collective from lucianos cadenza stable, returns for its biggest year yet. holding fort every sunday at ibizas pacha club over the last 3 years, as well as hugely successful events in london, chile, bucharest, new york, tokyo, naples and more

over the last few months, the main focus in the rekids camp has been on nina kraviz and the remixing of her 2012 debut lp. now its time for a change, and its head honcho radio slaves turn to get in on the remix action, with his 2008 hit tantakatan getting a fresh makeover in the shape of mr. gs nightwatch dub and prins thomas diskomiks

hit it & quit its main man frank booker with a double header for razor-n-tape: hand stamped label

emerging from their recent album release beautiful searching, organic house band ananda project gets an ep with mixes that are bound to get the heads all abuzz. uk soulful house producer sean mccabe whips up a wicked dub on love like this feat. sepsenahki, complete with all its bouncing baseline, funky guitar licks and perfect rhythm. in addition, the world renowned 718 session / body & soul resident danny krivit teams up with japanese producers dazzle drums, and their collaborative efforts on heaven is right here fully enwrap aks sensuous vocal to create a masterfully crafted & beautiful song. last south american deep house producer fabian argomedo remixes menage a trois for a truly deep & moody affair

for telrae 010 stefan gubatz teamed up with van bonn. the a side track marathon reflects on the more up-tempo beat tracks on telrae. it starts where stefans transistor ended, keeps a tight beat but its crunchy chords erupt like lava in a bowl of milk. the flipside track burnout works with a heavy pounding bassline but is defined by a rather airy, ambient like soundscape with many modulations and a broken tricky beat..

following his recent collaborations with ai records, electronique.it, and icon of desire, passenger finally comes back to eclipsemusic to release a new 12 vinyl record, titled chord abuse ep. the release takes off with solar flare, one of passengers most airy, housey and positive works till now, with its melodic sequence and uplifting atmosphere. on the same side of the 12 inch, surface debris de-construct the classic techno elements to build an abstract, moody, hyper-cynetic slice of futuristic techno. on side b solar flare gets then a special remix treatment by stephen brown, one of the most personal and notable european techno producers: the result is a tight, swinging rework of tiny slices of the original, turning the track into a classic techno builder..

it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.

a double ep release from the classic music company, mixing together friends old and new from the label. recent signings to classic, no dial tone deliver their second original production to the imprint - standing still – a deep slow burning almost bjork-esq vocal record kicks off the a side. long time label cohort from the early bar rumba days, mathew herbert twists and turns the record into something completely herbert and ultimately classic in its make up. on the flip…long-time greenskeepers man james curd returns to classic with nothing short of a bump! gentle help is typical curd funk and now with added black madonna flavours. road tested relentlessly at the smart bar, the chicago native channels the essence of old dance mania records and funnels it into something typically a little left of centre. each track is uniquely different and recognisably classic.

for its ninth release popcorn is proud to present the second ep of the man from koeln that we do not introduce anymore: daso. this artist who became a real friend and mainly one of the head artist of the label is one of the talented producer in the recent electronic music circus. immer, the main track of this release, gathers a collection of generous and deep sounds sprinkled with hypnotics’ synths: no mistake. the italian nico lahs (ovum, poker flat…) gives us a brilliant own interpretation playing with the bass through acid touches. definitely underground. schub the second original of this opus confirms dasos potential to produce deep house. strong original themes, romantic piano, voices and rollands drums are a sweet taste of springs. chordster is the last original but not the least. the lead piano drives the acid snare all along the track. the result is more than effective and brings your mind right into dasos universe, forever.

chicagos dj rahaan comes correct on this latest release from dublin disco heads fatty fatty phonographics. dirtyboyz takes an old bobby o production and sticks a rocket up its arse, blending in rough chi-town beats and some vocals from another music box/warehouse classic for some proper peak-time dancefloor devastation. getting up and dance is the kind of string drenched disco-boogie that he laces throughout his epic club sets, with some fiery ron hardy style edits to drive em wild. clap your hands, stomp your feet, meanwhile, rounds it off beautifully, a summery dancefloor swinger with a hellishly catchy chorus and a bouncy groove that just wont quit.

chicago legend jamal moss makes a return to sequencias with two tracks of overdriven angularity in his most jacking incarnation, the sun god. if you know jamal, then you are aware that no other artist has informed electronic rhythm-based music quite like he has. the current crop of raw, low-fi house and techno owes a large share of its existence to his releases under various monikers: hieroglyphic being, ibm, and as one half of africans with mainframes.

your mamas friend continues to build itself a healthy reputation as purveyors of modern sounding house and tech that likes to do things on its own terms. of course, it is all down to the leadership of marcin czubala who here serves up an ep of his own for the label, complete with remix from leeds lads audiojack, which will see 250 copies released on limited transparent red, smokey marbled vinyl.

touch sensitives debut single body stop was one of the first tracks released on future classic, all the way back in 2004. cloaked in anonymity its cosmic vibes and italo authenticity made it a cult favourite among discerning dj circles from east london to brooklyn.